New Delhi [India], October 23: Hemraj’s new creations carry within them the quiet force of nature. His sculptures are not constructed as objects but are allowed to unfold, almost as though they grow by themselves. They emerge with organic curves, soft surfaces, and tender colors, evoking the feeling of something alive. Standing near them, one senses not only their form but also their presence—an environment that shelters, embraces, and breathes. For Hemraj, to live with these sculptures is to live within nature’s rhythm. Each piece, even when solitary, carries the strength and permanence of a fortress—what he describes as a “garh”—yet they remain inviting and human in their softness.
Alongside these sculptures, his paintings continue to reflect the philosophy that has shaped his long journey as an abstract artist. Hemraj believes that painting is not an act of representation but of revelation. His canvases are landscapes of the mind, shaped by emotion, silence, and memory. Through bold gestures, layered colors, and translucent textures, he constructs spaces that are at once turbulent and serene, immediate and eternal.
His technique is rooted in patience and exploration. Hemraj begins with intuitive marks, allowing colors to clash, merge, or resist one another. Slowly, through layers of pigment and surface variation, his paintings acquire depth—like sediments of time resting upon each other. The viewer is drawn into these depths, sensing both movement and stillness, both chaos and order.
Together, his sculptures and paintings are two currents of the same vision. One grows outward, occupying physical space, while the other opens inward, offering a meditative space for the mind. Both are bound by the same philosophy: that art is alive, organic, and forever in the process of becoming.
Hemraj’s recent works remind us that creativity, like nature, is not a finished act but a continuous unfolding. They are not mere artworks but living experiences—moments where form and feeling, matter and spirit, meet in harmony.
