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    Home»Entertainment

    They Call Him OG Smashes Records: What’s Fueling the Hype & How Long It Will Last

    Telugu Star Pawan Kalyan’s “They Call Him OG” Achieves Record-Breaking Opening and Stirring Controversy
    Naquiyah MaimoonNaquiyah MaimoonUpdated:08/10/2025 Entertainment 6 Mins Read
    OG - PNN
    Pawan Kalyan’s They Call Him OG breaks records at box office launch
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    Mumbai (Maharashtra) [India], September 27: When They Call Him OG (stylized OG) hit theatres on September 25, 2025, the Telugu action thriller didn’t just open—it detonated. Within hours, it had broken multiple box office records, stunned trade analysts, and set social media aflame. Reports suggest the film shattered five major box office benchmarks, pushing aside comparisons with legendary names like Shah Rukh Khan and Rajinikanth in key metrics.

    But behind those explosive numbers lies a more intricate narrative—of fan fervor, brand positioning, global ambitions, and the thin line between momentum and meltdown.

    The Movie, the Sell & the Star Pull

    At its core, OG is Sujeeth’s audacious attempt to fashion a pan-India gangster canvas. According to its Wikipedia entry, the film stars Pawan Kalyan as OG, returning from a decade away to reclaim territory, counter antagonists, and reignite legends. Emraan Hashmi plays the rival crime lord, Omi Bhau, in his Telugu debut, while Priyanka Mohan, Prakash Raj, Arjun Das, Sriya Reddy and others form the supporting ensemble.

    The film’s production is significant in several respects. Filming began in April 2023 in Mumbai, but faced delays—particularly after Kalyan’s political commitments following his appointment as Deputy Chief Minister of Andhra Pradesh in mid-2024. Sparse promotional leaks, strategic teasers, and the inclusion of Hindi/Telugu bilingual elements seem to have laid the groundwork for a mass, cross-region appeal.

    So the hype had a foundation: a superstar’s return, a flashy gangster script, a charismatic villain, and plenty of mystery about how OG would be distinct from countless past crime flicks.

    OG

    Records Shattered & Numbers That Dazzle

    Let’s talk money (the thing everyone loves). On Day 1, OG reportedly surpassed ₹150+ crore worldwide in gross collections. In India alone, analysts noted over ₹100 crore net (across languages) during its opening.

    Within 48 hours, it crossed the ₹100-crore mark inside India—despite trade press noting a steep drop in the second day’s earnings. The worldwide tally by that point was estimated at around ₹172 crore, with about ₹123 crore from India, per trade tracking.

    Internationally, OG made waves too. It reportedly earned USD 3.13 million in North America on its first day alone, breaking records for Telugu cinema in that market. Within two days, the North American gross soared past USD 4 million. It even outperformed War 2 in the U.S. box office among Indian films, reaching the 4th highest grosser status there.

    Some of the five “major records” OG is credited with include:

    • Biggest opening day in Kalyan’s career

    • Highest paid previews for his films

    • Surpassing several big stars on opening day metrics

    • Strongest overseas premiere for a Telugu film in 2025

    • Faster surpassing of lifetime collections of past hits within just a couple of days

    In short, OG didn’t just break records—it redefined them for its star and its market.

    OG

    Why Did It Break? What’s Its Secret Sauce

    Several factors combined to fuel OG’s meteoric start:

    1. Fan Base & Brand Legacy: Pawan Kalyan, a political figure and film icon, commands intense loyalty. His fandom is known for participating in grand launches, midnight shows, and mass celebrations. That existing base meant a ready crowd.

    2. Cross-Market Reach; OG is not a niche Telugu affair. Its promotional material, casting (including Emraan Hashmi in Hindi cinema), and bilingual touches signal intent to target non-Telugu states. The opening numbers in North America prove that the diaspora and pan-India audiences responded.

    3. Eager Star Comeback: Post Hari Hara Veera Mallu (2025), Kalyan needed a strong comeback. OG was marketed as his return to raw, mass cinema. That urgency galvanised media, fans, and trade buzz.

    4. Timing: Releasing during a period with fewer strong competing films in many regions cleared the path for OG to absorb audience attention. Also, the earlier buildup, teaser strategy, and advance bookings hinted at pent-up demand.

    5. Technical & Packaging Strengths: Sujeeth’s direction, the cinematography (Ravi K. Chandran + Manoj Paramahamsa), editing, music by Thaman, and action set-pieces were pitched as premium. Even if narratively, OG won’t please everyone, the visual and sound spectacle helped justify its mass appeal.

    But It’s Not All Smooth Sailing

    Where there’s hype, there’s also scrutiny and risk. A few red flags are already emerging:

    Steep Drop on Day Two: Some reports suggest OG’s second day collections fell sharply—estimates hint at a 70% decline in some markets. That’s a warning sign. If retention is poor, the film may burn bright but fade quickly.

    Mixed Critical Response: Not all reviewers are on board. Early reviews point out that while OG delivers spectacle and star power, it falters in emotional depth, character arcs, or originality. Some feel it leans heavily into “mass tropes” rather than narrative risk.

    Overreliance on Hype: Films like OG thrive on opening day mania. The challenge is converting that hype into sustained footfalls over weekdays and the second week. If audiences find flaws, word-of-mouth could erode box office legs.

    Ticket Pricing & Legal Hurdles

    There have been legal tussles. For instance, the Telangana High Court declined relief to OG producers concerning a state order permitting enhanced ticket prices and premium screenings. That crackdown could put pressure on collections or show counts.

    Also, there were FIRs filed in Bengaluru against fan groups who organised unauthorised screenings or celebrations, indicating that uncontrolled promotion can invite regulatory backlash.

    What Comes Next? Outlook & Projections

    If OG manages to stabilise after its initial leap, it could ride into the ₹300+ crore club. Some trade trackers already position it among the top Telugu grossers in a very short span.

    The real test lies in Weekdays and Week 2. If collections hold or decay modestly (say 30–40% drop), OG could cement itself as a blockbuster. But if the fall is sharp and public word-of-mouth is lukewarm, it may become a “record opening, short high” film.

    Internationally, OG’s North American grip is noteworthy. Crossing into the top-10 Telugu grossers in just two days suggests the film’s resonance beyond regional limits.  The makers will look to expand in the Middle East, Europe, and Southeast Asia—markets hungry for South Indian content.

    One wildcard: the ongoing legal battles. If ticket price orders are reversed or curbs imposed, there could be forced reductions in theatre revenue. Also, the political affiliation of Kalyan may be scrutinised more intensely as box office success meets electoral influence.

    Final Take

    They Call Him OG is not merely a film—it’s a spectacle, a fan phenomenon, a commercial bet that betters expectations. Its record-breaking first day and global splash affirm that the Telugu/Indian star system is still capable of mass waves. But it will only be legendary if it sustains momentum, converts hype into mass praise, and navigates the pitfalls of falling expectations.

    In the coming days, OG’s journey will teach us whether box office records can transcend spectacle and become stories people remember. For now, the film is roaring, but cinemas next week will decide whether OG is a blazing comet or a shooting star.

    PNN Entertainment

    box office records emraan hashmi indian cinema Naquiyah Maimoon NM odia bhau opening day collections pan india film pawan kalyan sujeeth telugu movies they call him og
    Naquiyah Maimoon

    I dwell in the in-betweens—never sure, never boisterous. Hesitant and obstinate, I see what I'm doing through to completion in ways that never map it out. As a writer, I embrace the grey and the neglected. Nature grounds me, words define me, and I've made peace with being slightly out of step.

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