Mumbai (Maharashtra) [India], September 26: It’s official — Dhadak 2, the much-talked-about Bollywood romance-drama led by Siddhant Chaturvedi and Triptii Dimri, is making its way to the OTT universe. After stirring up headlines in theatres for both its brave subject matter and polarising reception, the film is now primed to reach living rooms and mobile screens across the country. And perhaps, this digital second life might be the redemption arc that director Shazia Iqbal’s project deserves.
Because let’s be honest: while Bollywood loves its romance sagas, a love story that dives into the raw, thorny realities of caste equations is bound to ignite applause from some corners and eye-rolls from others.
A Storyline That Refuses to Stay Glossy
Dhadak 2 is no run-of-the-mill college romance. Rather, it substitutes glossy candy-floss images with the rough truth of Indian life. Siddhant Chaturvedi brings Harsh, the conflicted young man between desire and drive, to life, while Triptii Dimri infuses his object of desire, Meera, with vulnerability and passion. Their love, tabooed by centuries of caste barriers, is the background for an emotionally explosive drama.
Unlike its predecessor, Dhadak (2018), which drew criticism for sanding off the rough edges of Sairat (the Marathi original), this sequel has the guts to linger in unease. Credit should be given — at least somebody in Bollywood finally recalled that “realism” is not an unpalatable term.
Budgets, Box Office & Backlash
Reports suggest that Dhadak 2 was mounted on a budget of around ₹55 crore, a respectable figure for a social-themed romance. However, the film’s box office trajectory wasn’t all roses. After a strong opening weekend, riding largely on the star power of Siddhant and Triptii’s newly minted on-screen pairing, collections tapered off.
As of its theatrical close, Dhadak 2 is estimated to have made just shy of ₹60 crore worldwide. Respectable, yes. Blockbuster, no. For perspective, the film has barely crossed its breakeven point.
But this is where OTT swoops in like a cape-wearing hero. The digital release offers a second wind — a chance to recoup investments, expand its reach, and ignite fresh debates among an audience far larger than the box office weekend warriors.
Performances That Deserve Their Due
If the numbers were disappointing, the performances were not. Siddhant Chaturvedi drops his urban suave and enters angst with unexpected ease, giving a multi-textured performance that may well go down in history as a turning point in his life. Triptii Dimri, already basking in Animal success, reiterates that she is Bollywood’s most promising woman star of the hour — delicate in some scenes, terrifying in others.
Together, their tension is like a lighted match over gunpowder — burning slowly, tense, and unable to be ignored.
Why the Audience is Divided
So why did a film with strong leads, high production value, and an urgent theme stumble theatrically? The answer lies partly in Bollywood’s own uneasy marriage with social realism. Viewers expecting another easy-breezy romance walked in and got a film that dared to discuss caste politics over candlelight dinners. Some clapped, others groaned.
Social media, of course, had its own courtroom: one camp hailed the film’s audacity, the other called it a lecture disguised as love.
And yet, isn’t that what art is supposed to do — disturb, provoke, ignite? If nothing else, Dhadak 2 proved that Bollywood can still spark conversation in an industry drowning in formulaic remakes.
What Critics Said
Critics, too, couldn’t agree on a single verdict.
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Some praised director Shazia Iqbal’s guts to stick closer to Sairat’s raw template rather than sugar-coat the narrative.
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Others accused the film of leaning too heavily into melodrama, drowning nuance in slow-motion tears and background violins.
As one reviewer quipped: “The film wants to be hard-hitting, but sometimes hits the hammer too many times on the same nail.”
OTT: The Real Litmus Test
With the OTT release imminent, Dhadak 2 enters its real exam. Digital audiences are famously less forgiving of mediocrity but also more open to uncomfortable truths. On a streaming platform, there are no ticket prices, no box office Monday blues — just a play button and the power to pause, rewind, and judge.
If word of mouth clicks in the digital space, the film could achieve the cult status it missed in theatres. After all, Bollywood history is full of films (Rang De Basanti, Tumbbad) that found their true audience long after release.
Latest Buzz & What’s Next
Buzz suggests that Dhadak 2 will premiere on one of the leading OTT giants (Netflix and Amazon Prime Video are in the frontrunners’ race), with an announcement expected within days. Industry chatter hints at a mid-October drop, strategically aligned with the festive season.
And yes, early screenings for OTT critics are already being whispered about in cinephile circles. One insider gushed, “This is the kind of film that’ll trend in the top 10 charts, no matter what the trolls say.”
In Summary: Love, Loss, and a Second Life Online
Dhadak 2 did not set the cash registers ablaze, perhaps, but it braved grounds Bollywood more often avoids. With strong performances, a socially conscious core, and now an OTT catwalk in the future, the movie is set for a new innings.
For audiences still arguing whether it’s a romance worth swooning over or a lecture worth skipping, streaming will provide the final verdict.
Because, love it or hate it — Dhadak 2 refuses to be ignored. And in an industry oversaturated with forgettable cinema, that alone is half the battle won.
