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    Kaantha Strikes a Chord and Splits Opinions — Dulquer Salmaan’s 1950s Epic Races at the Box Office

    Nostalgia, Performance, and Controversy in Dulquer Salmaan’s ‘Kaantha
    Naquiyah MaimoonNaquiyah Maimoon Entertainment 5 Mins Read
    Kaantha - PNN
    Dulquer Salmaan in ‘Kaantha’ recreating 1950s Tamil cinema drama
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    Mumbai (Maharashtra) [India], November 18: Kaantha, the highly anticipated period drama starring Dulquer Salmaan, has made a stirring entrance at the box office since its release on November 14, 2025, but not without raising a few eyebrows. With its sweeping recreation of Madras in the 1950s, emotionally layered performances, and whispers of a controversial inspiration, the film is fast becoming a talking point — even as its numbers show signs of caution.

    A Grand Vision, Rooted in History

    Directed by Selvamani Selvaraj, Kaantha is a richly textured tale of ambition, power, and legacy, framed within the glamour of golden-era Tamil cinema. According to Wikipedia, the film revolves around a tense conflict between Ayya, a seasoned director, and T.K. Mahadevan, a rising star. Their clash takes darker turns after a woman-centred film titled Shaantha is renamed Kaantha, and a murder shakes their world.
    Co-produced by Dulquer Salmaan and Rana Daggubati under their respective banners, the film is a labour of love — technically grand, emotionally ambitious.

    The cast also includes Samuthirakani, Bhagyashri Borse, and Rana Daggubati, each adding weight to this retro mystery. The cinematography by Dani Sanchez-Lopez captures the era in all its nostalgic richness, while the haunting score by Jakes Bejoy and Jhanu Chanthar intensifies the drama.

    Box Office Uptake: Bright Start, Uneven Momentum

    On its opening day, Kaantha registered a strong entry — about ₹4 crore domestically, signaling healthy interest. Over the first weekend, it collected approximately ₹13.85 crore, a number that suggests it resonated well with its target audience.

    However, signs of cooling began to show on Monday: its fourth-day total dipped to ₹1.65 crore, bringing the four-day net to approximately ₹15.50 crore. Such a drop isn’t rare — but for a period drama that demands patience and engagement, it raises a typical “will it sustain?” question.

    Industry insiders note that while the film’s technical brilliance and star power are undeniable, its box office trajectory faces the classic risk of a “weekend wave + weekday slump” pattern.

    Praise, Criticism, and Everything In Between

    What’s working:

    • Dulquer’s Transformative Performance: He’s being lauded for bringing depth and complexity to Mahadevan, a character torn between stardom and personal demons.

    • Artistic Authenticity: Audiences and fans acknowledge Kaantha’s dedication to period detail — from costumes to set design — evoking a genuine vintage feel.

    • Symbolic Storytelling: The narrative doesn’t just tell a story; it weaves in themes of legacy, creative tension, and identity within cinema itself.

    Where it stumbles:

    • Rumours and Real-Life Echoes: There’s significant chatter that the film borrows from the life of M. K. Thyagaraja Bhagavathar (MKT), the legendary Tamil star. While the makers deny it’s a biopic, audiences still spot parallels.

    • Pacing Concerns: On social media and Reddit threads, some viewers say the film is too measured — a slow-burn that may not align with the fast-paced expectations of today’s mass audiences.

    • Box Office Reach: The Monday dip could be a red flag for long-term sustainability. In a commercially driven market, week-one collections will be critical.

    Controversy & Context: Not Just Nostalgia

    Adding to the film’s intrigue — and risk — are legal overtones. Reports suggest that descendants of MKT have raised objections, alleging that Kaantha draws heavily from his life without permission. The filmmakers, however, firmly push back: the story is “entirely fictional” and not a direct biopic.

    On Reddit, viewers have picked up on symbolic nods that seem too deliberate to be coincidental: the name T.K. Mahadevan, for instance, is a reversal of MKT; other plot points mirror key episodes from Bhagavathar’s life, though reimagined with creative license. This blend of mythic homage and fiction has ignited debate — is it a respectful tribute or a creatively ambiguous?

    The Long Game: Sustainability and Legacy

    If Kaantha is to become more than just a niche period piece, it needs to navigate two significant challenges: converting early curiosity into sustained box office success, and managing the narrative surrounding its alleged real-world inspirations.

    On the financial side, the film needs strong holds in the Tamil and Telugu markets to justify its production scale. On the creative side, it must strike a balance between homage and originality — leaning into thematic depth while avoiding the trap of being seen as a thinly veiled biopic.

    The makers appear to sense this: they’re reportedly planning a strategic OTT release after theatrical screenings, to reach a broader digital audience. That could be the smart second act Kaantha needs.

    Final Thoughts: A Bold Gamble With Measured Returns

    Kaantha is not a lightweight entertainer — it’s a film that courts reflection, nostalgia, and emotional nuance. Dulquer Salmaan’s performance, Selvaraj’s direction, and the retro-glam aesthetic come together in a package that feels lovingly crafted. But that kind of care doesn’t always guarantee box office fireworks.

    So far, Kaantha is threading the needle: it has made an impact, but not yet a blockbuster wave. If its storytelling lands over the next few days, it could become a quiet triumph. If not, it risks receding as a beautifully made but commercially cautious venture.

    Either way, Kaantha is a bold piece of cinema — and for many, that’s precisely what makes the gamble worth taking.

    PNN Entertainment

    1950s film industry box office Dulquer Salmaan film review kaantha Naquiyah Maimoon NM period drama Rana Daggubati tamil cinema
    Naquiyah Maimoon

    I dwell in the in-betweens—never sure, never boisterous. Hesitant and obstinate, I see what I'm doing through to completion in ways that never map it out. As a writer, I embrace the grey and the neglected. Nature grounds me, words define me, and I've made peace with being slightly out of step.

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