Mumbai (Maharashtra) [India], September 19: When Aryan Khan — yes, Shah Rukh Khan’s son and Bollywood’s most-scrutinised heir — decided to make his directorial debut with The Ba**ds of Bollywood*, curiosity wasn’t optional. It was only a matter of time. The title itself was sufficient to raise gasps, arguments, and snickered winks. On September 18, 2025, Netflix finally released all seven episodes of the show, asking viewers to experience a heady mix of satire, scandal, ambition, betrayal, and that unmistakable Bollywood glitz.
The result? A show that’s daring, messy, fun, and not afraid to prod at the very industry that raised Aryan. It’s been cheered on, criticised, and meme-ified in equal proportion. And, yes, the twist at the tail end of it has tongues wagging much more than Aryan’s last name ever did.
The Premise: Bollywood Exposed, with a Wink
The story is about Aasmaan Singh (Lakshya Lalwani), a wide-eyed newcomer who desires a spot in the harsh Bollywood sunlight. He signs a contract with smooth producer Freddy Sodawallah (Manish Chaudhari), whose agreements turn aspiring actors into prisoners. Aasmaan also gets involved with Karishma Talwar (Sahher Bambba), the daughter of iconic film legend Ajay Talwar (Bobby Deol). Love, dreams, and fate entwine in a whirl of red carpets, rumormongering, and filmmaking deceptions.
It’s glamorised at one level and ridiculed with sadistic glee at another. Nepotism, backroom politics, hushed scandals, media gimmicks — all the things that Bollywood aficionados are fond of gossipping about are naked for all to see. Featuring cameos by Karan Johar, Ranbir Kapoor, Salman Khan, Emraan Hashmi, and the like, Aryan doesn’t merely pull the curtain back; he makes the curtain itself a part of the act.
What’s Sparkling Bright
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Fearless Satire
Bollywood makes fun of itself like this only occasionally. Aryan employs acidic wit and self-knowledge to challenge painful truths — nepotism, hypocrisy, PR-generated fantasies. It is a breath of fresh air in an environment where most tales still like to romanticise and not question. -
Solid Ensemble Cast
Lakshya Lalwani is a discovery — and a fragile and compelling one at that. Bobby Deol provides weight in every shot, and Sahher Bambba brings Karishma beyond the reach of shallow nepo-kid syndrome. Even the cameos seem natural; Karan Johar’s tongue-in-cheek cameo is pure self-referential theatre. -
The Twist that Rewrites Everything
The final blow? Ajay Talwar is revealed as Aasmaan’s biological father — making Karishma his half-sister. Suddenly, the star-crossed romance curdles into taboo, and every earlier interaction gains tragic weight. It’s melodrama, sure, but it lands with force. -
Lavish Production
Red Chillies’ stamp is everywhere. The visuals dazzle: industry parties, red carpets, fancy studios. Even as the show critiques gloss, it indulges in it — which, ironically, strengthens the satire.
The Fault Lines Beneath the Shine
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Jarring Tonal Shifts
In the same breath, the show satirises nepotism; the next, it dives into operatic melodrama. Some of the tonal shifts come across as jarring, leaving the plot sometimes slightly off-kilter. -
Supporting Characters Underwritten
While Aasmaan and Karishma have layered arcs, others feel underdeveloped. Shaumik (Karishma’s brother) exists more as a talking point for fan conspiracies than as a fleshed-out character. -
Predictable Beats Amid Surprises
Despite all its brashness, the show still relies on old tropes: mentor betrayal, tragic love affairs, and contracts as prison. The shocker twist saves a lot, but halfway through, some might catch glimpses of the formula revealing itself. -
Spectacle Over Substance at Times
Occasionally, the cameos and extravagant visuals overshadow the critique. The dark realities of Bollywood’s functioning remain hinted at, rather than fully explored.
The Ending That Broke the Internet
The finale made sure nobody logged out calmly. Apart from the paternity shocker, the mid-credits reveal had Shaumik confessing his love for the family’s house help — a small but deliberate jab at class, privilege, and hypocrisy. It left fans theorising: was this Aryan opening threads for Season 2, or simply adding another scandal for us to chew on?
Industry insiders suggest the finale’s DNA is meant to fuel longevity. As one critic quipped: “Aryan has written himself out of clichés by dropping the biggest cliché — the forbidden sibling romance.”
The Buzz: What People Are Saying
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Applause: Many fans hail it as a “refreshing debut” — bold, satirical, self-aware. Cameos, especially Emraan Hashmi’s, have gone viral. Some even call those scenes the best in the series.
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Criticism: Skeptics argue that while Aryan exposed Bollywood’s flaws, he didn’t go far enough. Some believe the show sanitises the uglier sides with glamour.
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Meme Factories: Shaumik has become the internet’s favourite target. A Reddit thread speculated he mirrors real star-kids like Ahaan Panday — though most agree he’s a composite character, not a parody of one individual.
Viewership & Cultural Impact
Here’s where things get tricky. Netflix hasn’t released official numbers yet for The Ba**ds of Bollywood*. But what we do know:
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The trailer crossed 50 million views within days on YouTube — a staggering number for an OTT show.
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Reviews are mixed-to-positive, but social buzz is undeniably high. From X (Twitter) threads to Instagram reels, the show has seeped into popular conversation.
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In India, Netflix reported over 1 billion views for Indian content in 2023, and while Aryan’s show isn’t yet on official “top watched” lists, analysts expect it to enter Netflix’s global weekly chart soon.
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Fan engagement is off the charts. Cameo clips, the finale twist, and even Aryan’s indirect jabs (like a parody of former NCB chief Sameer Wankhede) are trending topics online.
In short: even without hard data, The Ba**ds* is undeniably a cultural event.
Season 2? Theories, Hopes, Whispers
Even though nothing official has been green-lit yet, chatter around Season 2 is already heating up. Here’s what fans and insiders are speculating:
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Darker Crime/Underworld Angle: Some believe Aryan hinted at Bollywood’s shadow ties to the underworld through characters like Ghafoor Bhai. Expect this thread to expand.
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Cyrus Sodawallah Mystery: References to a vanished film producer from decades ago may be fleshed out in Season 2, offering a historical spine to the narrative.
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Global Expansion: With Aasmaan’s career trajectory teased, viewers expect overseas shoots, foreign studios, and cross-cultural satire.
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Sharper Satire of Nepotism: Fans want Aryan to go harder at the industry’s power games, after only scratching the surface in Season 1.
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Resolution of Shaumik & Class Divide Arc: His mid-credits confession was no throwaway gag. Many predict Aryan will weave it into a broader critique of privilege and hypocrisy.
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More Meta References: If Aryan dared to parody his own infamous 2021 case, why stop? Expect Season 2 to double down on self-referential storytelling.
Final Take
The Ba**ds of Bollywood* is not flawless. It is uneven, sometimes predictable, sometimes excessive. But it is also bold, funny, self-aware, and impactful. Aryan Khan could easily have chosen a safer debut — a glossy love story, a sanitised drama. Instead, he made something that prods, provokes, and entertains.
The ending makes sure the story doesn’t feel complete — because it isn’t. If Netflix signs off on Season 2 (and given the buzz, it’s a safe bet), Aryan now has a playground ripe for sharper satire, deeper character arcs, and even braver storytelling.
To date, the show is both a commentary on Bollywood and a child of it — decadent but knowing, tawdry but glamorous. In short: The Ba**ds of Bollywood* is the gossip you didn’t know you needed, tarted up as a Netflix binge.
